Our craft

Traditional printing, done in our own studio

Three techniques, one press, and no automatic feed. Everything we make is printed a sheet at a time.

Oblique close-up of a wedding invitation in copper hot foil on ivory cotton, lying on grey lace, with a foiled botanical sprig above the names.

Why we print this way

Almost all wedding stationery sold in the UK is printed digitally. It is quick, it is cheap, and the result sits on top of the paper. Everything we do puts something into the paper instead, using a metal plate and real pressure, which is why our invitations feel different before anyone has read a word of them.

The trade is time. A hand-fed press prints one sheet per pull, and each finish needs its own plate and its own pass. A hundred invitations with foil and a blind deboss is two hundred separate pulls. That is the whole reason it costs what it costs, and the whole reason it looks the way it looks.

Two presses

Foil and blind work are done on a hand-operated foiling press built in the 1980s. It has no automatic feed and no digital controls: the heat comes up, the plate goes in, and Vee works through the stack a sheet at a time.

Letterpress is done on a Gem No1 platen press, which joined the studio in 2023. Ink disc at the top, rollers, a flywheel and two wooden feed boards worn smooth. Also one sheet per pull.

The three finishes

Close-up of an ivory save-the-date at an angle, with teal hot foil script catching the light and blind-debossed sunburst rays behind it.

Hot foil

Hot foil printing presses a metallic foil into paper using a heated metal plate and real pressure. The foil bonds only where the plate touches, leaving a mirror-bright mark sitting slightly below the surface of the sheet.

The studio's Gem No1 platen letterpress against exposed brick, showing the ink disc, rollers, flywheel and two wooden feed boards.

Letterpress

Letterpress is printing by pressing an inked plate into paper hard enough to leave a physical impression.

Paper

We print mostly on uncoated cotton stocks between 300 and 600gsm, sometimes two sheets duplexed together where a design needs real depth. Cotton has no wood fibre in it, so it is softer than a standard board and takes an impression far better.

Paper is usually the smallest line on a quote and the biggest difference in the hand. If there is one place to spend a little more, it is here.

See it properly

Foil, letterpress and blind deboss all photograph badly, which is the honest problem with buying stationery online. Ask us for samples and judge them in your hand.

Enquire